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  • image SM D4/8/5

Reference number

SM D4/8/5

Purpose

St Bartholomew's Hospital, West Smithfield, City of London, 1791-5

Aspect

[3] Survey plan of ground to S, SE and W of Gibbs's Great Court including Long Walk and Windmill Court, made 1794 or after

Scale

1/13 in to 1 ft

Inscribed

as above, labelled Apothecarys Shop, Carpenters Shop, Carpenters / House, Stand (three times), Coach house, Treasurers Stable, Dead House, Engine and plots labelled with leaseholders' names, amount of rent and expiry dates, some dimensions given, triangular areas lettered A to N and (partly in Dance's hand) table calculating areas of triangles

Signed and dated

  • c.1794

Medium and dimensions

Pen, sepia, light red, blue and yellow washes, pricked for transfer on laid paper (665 x 995)

Hand

John Manning (surveyor)

Watermark

J Whatman 1794

Notes

This drawing corresponds more or less to [SM D4/8/1] though it shows a greater area including a block plan of the hospital with James Gibbs's south east and west buildings. Most of the leaseholders' names (except for Smith and Smallpiece whose leases were due to expire in 1803 and 1816) differ from those shown for the same plots in [SM D4/8/1]. The plan does not include Dance's Surgeons Theatre of 1791 and a roughly triangular area to the southeast is blocked in and washed as though to represent existing structures that include the building inscribed above. In [SM D4/8/4], Dance's proposed laboratory, drug room and others are on this site.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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