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  • image SM D4/6/5

Reference number

SM D4/6/5

Purpose

Finsbury Square, Islington, London 1783 and 1789

Aspect

[2] Plan of Finsbury Square, 1789

Scale

3/8 in to 10 ft

Inscribed

Finsbury / Square, North, South, East and West, streets labelled, S side labelled Lot 1 to Lot 11, Wm Rolfe (three times), Wm Lovering (twice), Wm Butler with Wm Fielder (twice), E side labelled Lot 14 to Lot 23, N side with Worship Street behind labelled Lot 1 to Lot 13, Let to Peter Banner 1st July 1789, Let to Wm Rolfe 1rst July 1789, Let to Jas Peacock 29th July 1789 (twice), Let to Jas Carr 29th July 1789, Let to Anthy Moorland 29th July 1789 (five times), Let to Tho.Silk 29th July 1789, Let to Wm Robinson Esq. 29th July 1789, Let to Wm Robinson Esq. 29th July 1789, W Side (in front of the Artillery Ground) labelled unbuilt, M Jones, Mr Bailey, dimensions given and (verso) Finsbu (cut) Correct Plan for Setting each / Persons quota towards Bathurst &c / 30 Dated: 1st July and 29th July 1789 (as above)

Signed and dated

  • 1789

Medium and dimensions

Pen, pink and yellow washes, pencil within double ruled border, partly pricked for transfer on laid paper (980 x 635)

Hand

office

Watermark

J Whatman

Notes

The plan, the purpose of which is to document the assignation of leases on lots, shows the north, east and south side of the square with each lot to its full depth; the west side, in front of the Artillery Ground, has only the frontages marked. 'Worship Street' is marked to the north, the east side is interrupted by Christopher Street and Crown Street and the west side by Chiswell Street. In the centre of the Square is a garden on an elliptical plan measuring 271.6 by 357 feet 10 inches. James Peacock, the assignee of lots 3 and 4 and Dance's assistant, re-assigned one of the lots and kept the other for his own home (No.17 Finsbury Square).

In the Corporation of London Records Office are drawings for Finsbury Square made or copied for leasing purposes, that correspond to the plan catalogued above. These are a plan and elevations of the principal front and two flanking fronts of the east side of Finsbury Square, 1790, with the names of the lessees (Comptroller's City Lands Plan 361). There is also an elevation of the north side, 1789, with lots 1 to 13 marked and the signatures of W. Rolfe, Peter Banner, Anthony Morland, W. Robinson, Thomas Silk, James Carr and J. Peacock (Comptroller's City Lands Plan 475) and an elevation of the west side with a plan of that part let to William Rolfe, 17 March 1790 (Comptroller's City Lands Plan 465).

An elevation of the west side of Finsbury Square, as built, inscribed 'Moor Place or Square' and 'West Side Moorefields', is in the Dublin City Archives (Map 492). Edward McParland considered that this was probably obtained in 1792 when the Dublin Commissioners sought 'to obtain Elevations of such range Buildings or other in London as ... may ... be of advantage towards furnishing designs for the Streets and places in this City' ('The Wide Street Commissioners: their importance for Dublin architecture in the late 18th-early 19th century', Quarterly Bulletin of the Irish Georgian Society, XV, No.1, 1972, p.22.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).