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  • image SM Adam volume 44/101

Reference number

SM Adam volume 44/101

Purpose

[4] Finished design for a church, 1788, not executed

Aspect

Same as SM Adam volume 44/101 but without wash or details such as the drapery over the central Diocletian window. The ceiling is also slightly different, showing a coved ceiling with a timber beams above supporting the roof and turret. The different coloured washes denote the materials

Scale

bar scale of 1 ½ inches to 10 feet

Inscribed

(In the hand of William Adam) Section through the Church for Steuartown [sic] / on the North part of Edinburgh / (verso) 3 / 3

Signed and dated

  • 26/04/1788
    Albemarle Street / 26th April 1788

Medium and dimensions

Pen, pencil, wash and coloured wash including Naples Yellow and pink, on laid paper (369x535)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

W surmounted by fleur de lis within a crowned cartouche

Literature

1922, p.11
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).