[3] Finished design for a church, 1788, not executed

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Robert and James Adam office drawings
- Public buildings
  - Steuartown, Church, North Edinburgh: finished designs for a church, 1788, unexecuted (4)

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Reference number

SM Adam volume 44/100

Purpose

[3] Finished design for a church, 1788, not executed

Aspect

Longitudinal section through a church showing an arch in the centre with a columned screen beyond. The pews and pulpit are shown in profile. The different coloured washes denote the materials

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

(In the hand of William Adam) Section through a Church for the North part of Edinburgh / (verso) 2

Signed and dated

1788
datable to 1788

Medium and dimensions

Pen, pencil, wash and coloured wash including Lemon Yellow, Naples Yellow and pink, on laid paper (379x536)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

W surmounted by fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p.11
Literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).