Explore Collections Explore The Collections
You are here: CollectionsOnline  /  St Luke's Hospital for Lunatics, Old Street, Finsbury, Islington, London, 1777, 1781-2 and c.1794-1811
  • image Image 1 for SM D4/1/24 and SM D4/1/23
  • image Image 2 for SM D4/1/24 and SM D4/1/23
  • image Image 1 for SM D4/1/24 and SM D4/1/23
  • image Image 2 for SM D4/1/24 and SM D4/1/23

Reference number

SM D4/1/24 and SM D4/1/23

Purpose

St Luke's Hospital for Lunatics, Old Street, Finsbury, Islington, London, 1777, 1781-2 and c.1794-1811

Aspect

[27 and 28] Plan, quarter-elevation labelled (another hand) Outside and Inside, section and joinery details and copy, of window.

Scale

Inch Scale and 6 Inch Scale (another hand)

Inscribed

as above, (another hand) Yellow Xnia Deal, dimensions given and ([SM D4/1/24] verso, pencil, Carter) St Lukes Hospl / Drawing of one of / the Great Winds / N Side of Galleries

Signed and dated

  • c.1794-1811

Medium and dimensions

Pen, pencil, pricked for transfer on wove paper (both 485 x 365)

Hand

Carter

Watermark

(both) J Whatman 1794

Notes

Comparison with signed drawings by James Carter suggest that these two identical drawings (and others following) are by him. The design of the window type that lit the galleries on the north side is ingenious: the lower half is glazed and fixed while the upper half consists of two parts - a fixed grille on the outside with a matching, sliding, glazed window on the inside.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).