St Luke's Hospital for Lunatics, Old Street, Finsbury, Islington, London 1777, 1781-2 and c.1794-1811

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Prison, courts and a lunatic hospital (5)
  - St Luke's Hospital for Lunatics, Old Street, Finsbury, Islington, London, 1777, 1781-2 and c.1794-1811 Competition design (by an unidentified architect), preliminary design by James Peacock?, contract drawings, specification and drawings of building as executed (32)

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Reference number

SM D4/1/14 and SM D4/1/13

Purpose

St Luke's Hospital for Lunatics, Old Street, Finsbury, Islington, London 1777, 1781-2 and c.1794-1811

Aspect

[21 and 22] Back (N) elevation and copy

Scale

1/14 in to 1 ft

Inscribed

dimensions given, ([SM D4/1/14] verso, pencil) S. Lukes Hosp^l/ rough Elevⁿ of / North Front, ([SM D4/1/13] verso, pencil) S^t Lukes Hosp^l/ Elevatⁿ of North Front / Compleat

Signed and dated

c.1794-1811

Medium and dimensions

Pen, pencil within single ruled border, pricked for transfer on wove paper (650 x 980, 630 x 985)

Hand

See note to [SM D4/1/16] and [SM D4/1/17]

Watermark

([SM D4/1/14]) 1795 J Whatman ([SM D4/1/13]) E&P 1801

Notes

These drawings correspond to contract drawing [SM D4/2/5] except, of course, for the pavilion wings omitted there. Here, the rear of the pavilions are shown with a window, 13 feet 6 inches wide and three storeys high, crowned by a pediment. With the large lantern, the pavilion ends would have been very well lit and ventilated.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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