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- George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- c.1794-1811
More finished than [SM D4/1/12], or any other of the drawings [SM D4/1/9], [SM D4/1/10], [SM D4/1/11], [SM D4/1/8], [SM D4/1/7], [SM D4/1/6], [SM D4/1/5], [SM D4/1/12], [SM D4/1/19], [SM D4/1/14], [SM D4/1/13], [SM D4/1/15], [SM D4/1/18], [SM D4/1/16], [SM D4/1/17], the design of the centre and wings does not vary except that the brick 'pilasters' of the second floor are slightly narrower than those below, a refinement not shown in the contract drawing [SM D4/2/4] nor in [SM D4/1/12]. The purpose of the drawing is not known but it may have been prepared for the engraver. There are two prints, in the collection of the Bank of England, that are similar but show only three floors. Neither is dated and one is signed 'Lodge' and the other 'Deeble'.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).