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Reference number
SM Adam volume 4/4
Purpose
Design for rustic buildings, ND
Aspect
Perspective view of a two-and-a-half-storey building with a central three-bay corner rotunda surmounted by gables and a conical, thatched roof, which supports a belvedere and a weathervane. At the ground-storey level there is a central entrance, and this is flanked by leaded bow windows. At the first-storey level there are full-height, leaded windows, with a central balconied window, which is flanked by Tuscan columns. In the upper register there are quarter-height windows set within the eaves. The rotunda is flanked by two-storey, three-bay wings, with central entrances set within relieving arches. Above this there is a projecting, thatched gable, which is articulated by giant Tuscan columns. To the left of the principal building there is a single-storey building, with a corner turret surmounted by a thatched, conical roof. To the right of the principal building there is a two-storey, three-by-one bay building, with a pitched roof containing a central gable. At the ground-storey level there is a series of relieving arches. At the first-storey level there are half-height windows. Beyond this there is a low rustic wall and a steeple(?)
Scale
to a scale
Signed and dated
Medium and dimensions
Pen, pencil and wash on laid paper (540x390)
Hand
Possibly
Adam office hand
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).