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  • image SM Adam volume 2/138

Reference number

SM Adam volume 2/138

Purpose

Design for a cottage, 1790

Aspect

Above – Elevation of a one-and-a-half-storey, five-bay building with a hipped, thatched roof supporting weathervanes, and there is a central, three-bay rotunda with a conical, thatched roof. At the ground-storey level there is a central entrance, surmounted by an oculus and all set within a relieving arch. This is flanked by open arches, all set behind a part-fluted, Tuscan colonnaded screen. The screen has a frieze of rosette(?) roundels and in the upper register of the rotunda there are quarter-height, leaded windows. The rotunda is flanked by one-and-a-half-storey, single-bay wings, with three-quarter-height, leaded windows at the ground-storey level. In the upper register there are semi-circular-headed, leaded windows, set beneath the eaves Centre- Plan of a five-by-one-bay building, with a central, projecting rotunda in the principal front. Beyond the rotunda there is a curved staircase. This is flanked by one-bay wings, with pitched roofs Below- Plan of a five-by-one-bay building, with a central rotunda in the principal façade, forming a three-bay bow. The rotunda is flanked by one-bay rooms and to the rear of the rotunda there is an additional space with a central stairwell(?)

Scale

to a scale

Inscribed

Sketch of a Cottage- / Robert Adam

Signed and dated

  • August 1790
    Edin.r Aug.t 1790.

Medium and dimensions

Pen, pencil, wash and coloured washes including sepia and olive green on laid paper (201x324)

Hand

Probably Adam, Robert (1728--1792), architect
Robert Adam

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).