Chapel of St Bartholomew (later Church of All Saints), East Stratton, Hampshire, 1806-7

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Churches (7)
  - Chapel of St Bartholomew (later Church of All Saints), East Stratton, Hampshire, 1806-7 (8). Survey drawings of 1676 chapel and unexecuted alternative designs for a new chapel for Sir Francis Baring Bart

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Reference number

SM D1/7/3

Purpose

Chapel of St Bartholomew (later Church of All Saints), East Stratton, Hampshire, 1806-7

Aspect

[8] Longitudinal section

Scale

1/4 in to 1 ft

Inscribed

Signed: Geo: Dance Dated: Dec^r 1806

Signed and dated

1806-07

Medium and dimensions

Pen, sepia, pink, Indian red, yellow ochre, blue and purple washes, pencil within double ruled and sepia wash border on laid paper (390 x 550)

Hand

Dance

Watermark

D&C Blauw and fleur-de-lis in crowned cartouche and WR below (396 x 550)

Notes

The nave has a three-light window with a drop-head arch on he north and south elevations while the chancel has two laterally placed windows; there is no clerestory. The ceiling to chancle and nave are flat and the roof truss over the nave at the east/west axis has four trusses in section that are likely to be 'queen-post trusses selected because of the form of the roof' (David Yeomans, e-mail 19 July 2001). The tower is of four stages; gablets and crocketed finials crown the buttresses.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).