[1] Record drawing for a ceiling for a drawing room, 1768, not known to have been executed

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Robert and James Adam office drawings
- Projects known only by patron
  - Thomas and/or George Thornhill: designs for ceilings and chimneypieces for an unknown house, 1768-70, not thought to have been executed (7)
    - Alternative record drawings for ceilings for drawing rooms, 1768-70, not known to have been executed (2)

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Reference number

SM Adam volume 11/251

Purpose

[1] Record drawing for a ceiling for a drawing room, 1768, not known to have been executed

Aspect

Plan of a rectangular ceiling, with a semicircular apse on one of the long sides. The central flat is ornamented with a central roundel encircled by drops of calyx, and enclosed within a lozenge which has a tubular flower at each corner supporting festoons of bell flowers, roundels enclosed within wreaths, vesica, and rinceaux. At each corner of the central flat is an L-shaped compartment of rinceaux enclosed within guilloche, and the whole has a rectangular border of guilloche. The apse is divided by a band of guilloche, and contains a segmental patera enclosed within a fan, and a segmental frame with an apron of festoons hung from bows and rosettes

Scale

bar scale of ½ inch to 1 foot

Inscribed

Cieling of Drawing room for George Thornhill Esqr. / A / B / C / E / D. Brown / L. Green / L. Pink / D. Green / E / L. Green / E / A / E / E / D / D. brown / B

Signed and dated

1768
1768

Medium and dimensions

Pen and pencil on laid paper (488 x 457)

Hand

Adam office hand, probably William Hamilton or Joseph Bonomi

Watermark

D&CBLAUW

Literature

Bolton, 1922, Volume II, Index p. 58
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).