[6] Design for the rear front of a castle-style building, 1793, unexecuted

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Robert and James Adam office drawings
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  - Knockear or Knockour Castle, Stirling: Designs for a castle-style building for John Buchanan of Ardoch, 1793, unexecuted (7)

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Reference number

SM Adam volume 30/30

Purpose

[6] Design for the rear front of a castle-style building, 1793, unexecuted

Aspect

Rear elevation of a two-storey castle-style building with a central three-storey canted bay tower and flanking single-storey pavilions connected by links, over a half-sunk basement. The building is adorned with crenellations and machicolated cornices and there is a grand entrance staircase to the principal floor. There is a mixture of square, slit, cross and segmental-arched windows as well as oculi

Scale

bar scale of 7/8 inch to 10 feet

Inscribed

Elevation of ~~the~~ Knockear Castle Fronting toward Loch Lomond with pencil annotations on the verso

Signed and dated

14/10/1793
Albemarle Street / 14 Oct^b 1793

Medium and dimensions

Pen and pencil on laid paper (462x280)

Hand

Possibly
Adam office hand, possibly John Robertson

Watermark

J Whatman

Literature

Bolton, Volume II, Index, 1922, p.20
King, Volume 2, 2001, pp. 138, 163
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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