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  • image SM Adam volume 45/85

Reference number

SM Adam volume 45/85

Purpose

[6] Design for a stable block, 1790, unexecuted

Aspect

Upper (first) storey plan of a U-shaped stable block and a small pidgeon house to the rear. Rooms include bedrooms, haylofts, a saddle room, closet and barrack room

Scale

bar scale of 5/8 inch to 10 feet

Inscribed

Upper Story of the Offices for William Grant Esqr / Pidgen / House / Hay loft / Saddle / room / Hay loft / Hay loft / Bed room / Bed room / Bed room / Bed room / Closet / Barrack / room / Bed room with some room dimensions. (Verso) 5 / number 5 / (and in another hand) House & offices for Wm Grant Esqr at Congleton

Signed and dated

  • 30/04/1790
    Albemarle Street / 30th April 1790

Medium and dimensions

Pen, pencil and wash on laid paper (303x490)

Hand

Possibly
Adam office hand, possibly Robert Morison

Verso

C & S surmounted by a shield with a fleur de lis

Literature

Bolton, 1922, p. 7
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).