[5] Design for a house, 1790, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Congleton or Congalton, East Lothian: Designs for a house and stables for William Grant, Esquire, 1790, unexecuted (6)
    - Designs for a stable block, 1790, unexecuted (2)

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Reference number

SM Adam volume 45/84

Purpose

[5] Design for a house, 1790, unexecuted

Aspect

Ground plan of a U-shaped stable block with adjoining walls and a small slaughter house to the rear. Rooms include coach houses, stables, a wash house, linen room and hen house

Scale

bar scale of 5/8 inch to 10 feet

Inscribed

Design of Stable Offices & for Wm Grant Esqr / at Congleton in East Lothian / Wood shed / Slaughter / House / Wood Shed / Dung pit / Cow house / [ _ _ _ _] / Harness / room / Coach house / Coach house / Hen house / Court / Stable / Stable / Boilg room / Wash house / & / Laundry / Linnen room with some room dimensions. (Verso) 4

Signed and dated

30/04/1790
Albemarle Street / 30^th April 1790

Medium and dimensions

Pen, pencil and wash on laid paper (278x490)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

C & S surmounted by a shield with a fleur de lis

Literature

Bolton, 1922, p. 7
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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