[4] Design for a house, 1790, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Congleton or Congalton, East Lothian: Designs for a house and stables for William Grant, Esquire, 1790, unexecuted (6)
    - Designs for a house, 1790, unexecuted (4)

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Reference number

SM Adam volume 45/82

Purpose

[4] Design for a house, 1790, unexecuted

Aspect

Elevation of a two-storey, five-bay house with flanking pavilions connected by single-storey balustraded wings. The central three bays of the main house are bowed and contain a central staircase at ground level, flanked by tri-partite windows within relieving arches. There is a continuous string course across the entire elevation

Scale

bar scale of 5/8 inch to 10 feet

Inscribed

West front towards the Bowling green for a new Design / for William Grant Esqr at Congleton in East Lothian / (verso) 2

Signed and dated

30/04/1790
Albemarle Street / 30^th April 1790

Medium and dimensions

Pen and pencil on laid paper (465x254)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

Curtels & Sons

Literature

Bolton, 1922, p. 7
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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