[6] Design for the rear front of a house, 1792, executed

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Robert and James Adam office drawings
- Country houses
  - Dunbar House, also known as Lauderdale House, East Lothian: Designs for additions to a house for James Maitland, 8th Earl of Lauderdale, 1790-92, executed in part (12)
    - Designs for a house, 1790-92, executed in part (8)

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Reference number

SM Adam volume 48/51

Purpose

[6] Design for the rear front of a house, 1792, executed

Aspect

Rear elevation of a two-storey, seven-bay house with three-bay projecting flanking wings over a half-sunk basement. The central three bays are projecting and contain a rectangular window within a relieving arch with a balustrade at principal (ground) level and a modillion frieze with a memorial cartouche with earl's coronet above at roof level. The flanking wings have garret storeys and pedimented roofs

Scale

to a scale

Inscribed

Design for building the front next the Street of the Right Hon^ble The Earl of Lauderdales house at Dunbar with some dimensions and (in pencil) annotations

Signed and dated

25/10/1792
Albemarle Street / 25^th Oct^r 1792

Medium and dimensions

Pen and pencil on laid paper (462x258)

Hand

Possibly
Adam office hand, possibly John Robertson

Literature

Bolton, 1922, Volume II, Index, p. 10
Further literary references in the scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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