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  • image SM Adam volume 54/3/40

Reference number

SM Adam volume 54/3/40

Purpose

[1] Preliminary design for a moulding for a dressing room, ND, not known to have been executed

Aspect

Rough elevation of an entablature with a plain frieze, surmounted by bands of bead and reel, waterleaf, and egg and dart; and with the profile outline of the entablature drawn to a larger scale on the right-hand side of the sheet, and with two large-scale variant details of egg and dart below

Scale

not to scale

Inscribed

For the Dressing Rooms of Mr Spencers House and some measurements given

Signed and dated

  • 1758-94
    ND

Medium and dimensions

Pencil on laid paper (232 x 189)

Hand

Robert Adam

Level

Drawing

Exhibition history

James "Athenian" Stuart, 1713-1788. The Rediscovery of Antiquity, Bard Graduate Center Gallery, New York, 16 November 2006 - 18 February 2007; Victoria and Albert Museum, London, 15 March - 24 June 2007

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).