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  • image SM Adam volume 30/108
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Reference number

SM Adam volume 30/108

Purpose

[1] Design for a pavilion, c1786-94, unexecuted

Aspect

Plan and elevation of a two-storey, Greek cross-shaped cottage, with the body of the first storey being composed of a drum surmounted by a conical roof, and with a central console door in a pedimented range, surmounted by a balustraded windows, and with rectangular and arched slit windows in the side ranges

Scale

bar scale of 1 ¾ inches to 10 feet

Inscribed

Design for David Scott Esqr (in the hand of William Adam and underwritten in pencil) (verso) This to be placed Twenty Eighth (in red pen) / David Scott Esqr [ _ _ _ _ ] No 12

Signed and dated

  • 1786-94
    date range: 1786-94

Medium and dimensions

Pen, pencil and wash on laid paper (297 x 481)

Hand

Adam office hand, either Robert Morison, Daniel Robertson or John Robertson, with title inscription in the hand of William Adam (underwritten in pencil)

Watermark

GR surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 57
King, 2001, Volume II, p. 227
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).