[19] Design for a chimneypiece for the first room off of the Hall / Library, c1777, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Roxburghe House, Hanover Square, London, designs for a house and interiors for John Ker, 3rd Duke of Roxburghe, c1775-79 (55)
      - Design for a chimneypiece for the first room off of the hall, c1777, possibly executed (1)

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Reference number

SM Adam volume 23/97

Purpose

[19] Design for a chimneypiece for the first room off of the Hall / Library, c1777, possibly executed

Aspect

Elevation of a chimneypiece with Doric pilaster stiles with ornamental panels containing tripods which support urns, surmounted by calyx, rosettes set within wreaths, calyx set within wreaths and further urns. Above this there are further panels which imitate fire screens and are ornamented with suspended urns, calyx, and arabesques. The stiles terminate in part paterae set within semi-circular bands of enclosed calyx. The capitals contain panels depicting draped figures, and the frieze is ornamented with pedestals bearing urns linked by festoons of husks. In between the pedestals there are rosettes set within wreaths crossed by thyrsi. Above the frieze there is a band of dentils (as SM Adam volume 23/96)

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Chimney piece for the first Room off the Hall, intended to be fitted up for Books / proposed of Wood & Marble / For the Duke of Roxburghe

Signed and dated

c1777
c1777

Medium and dimensions

Pen, pencil and wash on laid paper (406 x 289)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 40
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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