Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [55] Unfinished design for a pier glass frame, 1780, possibly executed

Browse

  • image SM Adam volume 20/220

Reference number

SM Adam volume 20/220

Purpose

[55] Unfinished design for a pier glass frame, 1780, possibly executed

Aspect

Elevation of a pier glass frame with a base ornamented with roundels. The left-hand roundel contains figures, and the right hand roundel contains an urn surmounted by an anthemion. The frame has paired Corinthian pilasters stiles, with a candelabrum and an oil burner set in between. The left-hand candelabrum is in the form of an urn ornamented with gadrooning, and this is flanked by calyx supporting two candle branches in the form of tubular flowers. The right-hand burner is in the form of a tripod ornamented with ram masks and supporting an oil burner in the form of an urn. The mirror frame has a central band ornamented with a rosette roundel surmounted by a tubular flower and anthemion, and this is flanked by winged sphinxes and pedestals supporting urns. The central band has an apron of festoons of husks, which suspend a peltoid shield and drop calyx. The central compartment is surmounted by a tablet containing an oval depicting a reclining figure, and this is flanked by swags and rosettes. The tablet has an apron of festoons of husks, and is surmounted by calyx supporting an urn bearing festoons

Scale

bar scale of 1 ¼ inches to 1 foot

Inscribed

Glass frame for the Duke of Roxburghe- / This is the righ[t] (cropped) / 220

Signed and dated

  • 1780
    Adelphi (cropped) / 1780

Medium and dimensions

Pen and pencil on laid paper (245 x 437)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

IV surmounted by a fleur-de-lis set within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 40
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).