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  • image SM Adam volume 14/36

Reference number

SM Adam volume 14/36

Purpose

[45] Design for a ceiling for the second drawing room, 1778, executed with minor alterations

Aspect

Plan of a rectangular, tripartite ceiling, with the central compartment ornamented with a figurative octagon surrounded by ellipses and set within a square compartment. Beyond this there are rosette roundels set within wreaths flanked by winged sphinxes, and the sphinxes are linked by semi-circular bands of calyx. All this is set within a roundel ornamented with a band of enclosed calyx and anthemia, and this is segmented by figurative panels. The panels have aprons of lion masks bearing festoons and suspending urns. The central compartment is flanked by rectangular compartments containing rosette roundels set within bands of calyx, and these are separated by rosettes within wreaths of calyx and flanked arabesques, calyx and anthemia

Scale

bar scale of ½ inch to 1 foot

Inscribed

Design of a Cieling for the second Drawing room at Roxburghe House- / 36. / In execution the figure(?) [_ _ _ _ _ _] in [_ _ _ _ _] in the medallion also the 4 inches inside [_ _ _ _] The centre square mould octagonal (modern curatorial hand, Arthur Bolton, pencil)

Signed and dated

  • July 1778
    Adelphi 10.th July 1778.

Medium and dimensions

Pen, pencil, wash and coloured washes including verdigris, violet, cerulean blue, pink on laid paper (491 x 411)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 39
King, 2001, Volume I, p. 293
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).