[4] Design for a ceiling for the ante room, 1769, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Portman Square (7 Lower Seymour Street), for Francis Thomas Fitzmaurice, 3rd Earl of Kerry, 1769, possibly executed (5)
      - Designs for a ceiling for the ante room, 1769, possibly executed (1)

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Reference number

SM Adam volume 12/10

Purpose

[4] Design for a ceiling for the ante room, 1769, possibly executed

Aspect

Plan of a square ceiling with a fireplace on one side. The ceiling is ornamented with a central rosette enclosed within a band of calyx flanked by bands of beading, and a band of foil supporting calyx. All this is enclosed within a circular fan ornamented with enclosed rosettes, anthemia, arabesques, and calyx. Beyond this calyx suspend wreaths enclosing cameos

Scale

bar scale of ½ inch to 1 foot

Inscribed

Cieling for the Anti room at Lord Kerry’s in Portman Square- / Anti Room Parlor Story (pencil) / 10

Signed and dated

1769
1769.

Medium and dimensions

Pen, pencil, wash and coloured washes including pink, violet, cerulean blue and verdigris on laid paper (461 x 415)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi

Literature

Bolton, 1922, Volume II, Index p. 48
King, 2001, Volume II, p. 167
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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