[4] Finished drawing for a hospital chapel, c1759, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Lock Hospital, Grosvenor Place, London, unexecuted designs for a hospital and chapel, commissioned by William Bromfield, c1759 (5)
    - Design and finished drawings for a hospital and chapel, c1759, unexecuted (5)

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Reference number

SM Adam voliume 38/18

Purpose

[4] Finished drawing for a hospital chapel, c1759, unexecuted

Aspect

Axial section of a two-storey building, with a domed roof containing an oculus and a stepped, Corinthian portico entrance on the left-hand side. The portico has a frieze ornamented with ox skulls and festoons. The internal space contains a giant Corinthian colonnade, which supports a balcony with tiered seating at the first-storey level. The terminating pilaster for the balcony is ornamented with a herm, and the ceiling is bordered by a band of dentils

Scale

bar scale of 3 inches to 10 feet

Inscribed

Section of Lock Hospital Chapel (in the hand of William Adam, underwritten in pencil)

Signed and dated

c1759
c1759

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (1012 x 651)

Hand

Possibly
Office hand, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 39
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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