[3] Preliminary design for the first storey of a chapel, c1778, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Emmanuel Hospital, James Street, Westminster, unexecuted designs for a chapel, c1778 (10)
    - Preliminary designs, designs and a finished drawing for a hospital chapel, c1778, unexecuted (10)

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Reference number

SM Adam volume 38/67 (verso)

Purpose

[3] Preliminary design for the first storey of a chapel, c1778, unexecuted

Aspect

Plan of the first storey of a five-bay building, flanked by carriageways which link to a coach house, stable block and semi-circular-fronted courtyard. The building has a central stepped entrance leading to an apse, and beyond this there is a central aisle flanked by colonnades and pews. The central three bays of the courtyard facade are projecting, and contain a stepped entrance which links to a circular hall. The hall is flanked by a square room and a staircase

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

Coach House (pencil)

Signed and dated

c1778
c1778

Medium and dimensions

Pencil on laid paper (327 x 508)

Hand

Probably
Robert Adam

Literature

Bolton, 1922, Volume II, Index, p. 59
King, 2001, Volume II, p. 66
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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