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In 1720, following the ramifications of the South Sea Bubble, construction in the Square was halted and it remained unfinished for several years. Expansion of the area continued into the nineteenth century, with just 577 houses recorded in Marylebone in 1739 and 9000 houses noted by 1806.
This undated preliminary design is for an unknown site in Cavendish Square. The plan is for an extensive house, 159ft by 65ft and containing an impressive gallery 60ft by 24ft. Bolton suggested that the design formed part of an early scheme by Adam for an unknown client. He compared the plan to designs for Harewood House with its inclusion of lunette courts and flanking wings.
Literature:
E. Walford, ‘Oxford Street and its northern tributaries: Part 2 of 2’, Old and New London: Volume 4, 1878, pp.441-467; A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, Index pp. 35
Anna McAlaney, 2021
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).