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  • image SM Adam volume 25/126

Reference number

SM Adam volume 25/126

Purpose

[92] Finished drawing for a candelabrum, 1773, possibly executed

Aspect

Elevation of a candelabrum with a socle base ornamented with a central patera, arabesques, and rosette roundels. The base supports a central turned baluster with festoons of husks. Above this there is a rosette flanked by bands of guilloche, and an anthemion bearing a tubular flower and urn. The urn is ornamented with bands of guilloche, bands of beading, and a central half-putto flanked by arabesques. The flared lid of the urn is ornamented with bands of guilloche, fluting and reed and ribbon, and is surmounted by a pine cone. The central baluster and urn are flanked by fluted, sabre legs with paw feet, which terminate in ram masks. The ram masks bear festoons of husks and support a pair of candle branches embellished with foliage. The candle branches support candle holders in the form of tubular flowers

Scale

to a scale

Inscribed

Candlestick for Sir Watkin Wynn Bart. / 48 / 126 (pencil)

Signed and dated

  • March 1773
    Adelphi / 9.t March 1773.

Medium and dimensions

Pen, pencil and wash on laid paper (460 x 434)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 50
Fairclough, 1995, pp. 376-386
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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