[31] Unfinished design for a chimneypiece for the ante room, 1772, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - St James's Square, number 20, London, designs for a house and interiors for Watkin Williams-Wynn, c1772-1777 (99)
      - Unfinished design for a chimneypiece for the ante room, 1772, as executed (1)

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Reference number

SM Adam volume 23/9

Purpose

[31] Unfinished design for a chimneypiece for the ante room, 1772, as executed

Aspect

Elevation of a chimneypiece, with the lining bordered by beading and laurel leaf tips. The pilaster stiles are ornamented with fluting and scroll work, which terminates in acanthus leaves. The capitals contain paterae, and the frieze is ornamented with rosettes and urns, with linking festoons of husks. Above the frieze there is a band of egg and dart moulding, and the mantel is ornamented with a band of laurel leaf tips

Scale

bar scale of 1 ¾ inches to 1 foot

Inscribed

Chimney Piece for the Anti room at Sir Watkin Wynn’s in / S.t James’s Square / 9 / Hinch and some dimensions given

Signed and dated

August 1772
Adelphi / 27.t Aug.st 1772

Medium and dimensions

Pen and pencil on laid paper (405 x 292)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 49
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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