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  • image SM Adam volume 53/12

Reference number

SM Adam volume 53/12

Purpose

[45] Record drawings for friezes for the first floor dressing room, first drawing room, oval ante room, second drawing room, third drawing room and bedchamber, ND, possibly executed

Aspect

First floor dressing room – Elevation of a frieze ornamented with beaded roundels containing urns crossed with a bow and arrow, and this alternated with peltoid shields crossed with a bow and quiver. The roundels are set within a continuous band of calyx wreaths First drawing room – Elevation of a frieze ornamented with arabesques supporting anthemia which alternate with fans. All this is set within semi-circular bands of calyx, with anthemia set in between Oval ante room – Elevation of a frieze ornamented with arabesques supporting anthemia, which are alternatively enclosed within scrolled hearts Second drawing room – Elevation of a frieze ornamented with paterae and calyx set within scrollwork, and this alternates with paterae and anthemia Third drawing room- Elevation of a frieze ornamented with arabesques supporting urns, which alternate with tubular flowers, and with anthemia set in between Bedchamber – Elevation of a frieze ornamented with arabesques supporting tubular flowers, and this alternates with poppies

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Dressing room one pair / First Drawing room / Oval Anti room / Second Drawing room / Third Drawing room / Bed Chamber / 12 and some dimensions given

Signed and dated

  • ND
    ND

Medium and dimensions

Pen and pencil on laid paper (292 x 470)

Hand

Possibly
James Adam

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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