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  • image SM Adam volume 51/45

Reference number

SM Adam volume 51/45

Purpose

[47] Finished drawing for a gateway, c1773, as executed

Aspect

Above- Elevation of a gateway with a central blank archway formed with Doric pilasters ornamented with ox masks and festoons. The pilasters have a band of rosettes and fluted capitals containing tablets depicting half-putti and arabesques. The semi-circular head of the arch is ornamented with a band of rosettes, a tablet inscribed ASHBURNHAM HOUSE, and a coat of arms flanked by festoons, with a band of fluting above. The spandrels are ornamented with figurative roundels, and the arch has a frieze of fluting and of enclosed rosettes. The arch is surmounted by a pedestal bearing an urn ornamented with gadrooning, a band of Vitruvian scroll, and a paterae flanked by swags. The urn forms a chimney stove, and this is flanked by greyhounds. The arch is flanked by link walls ornamented with bands of rosettes, and these terminate in Doric pilasters surmounted by lanterns. The link walls are flanked by a pair of carriage gates, with paterae and rosettes set within compartments bordered by fluting. The gateway terminates in further Doric pilasters supporting lanterns Below- Plan of a central gatehouse, which forms three rooms. The central room contains a fireplace, with a window set adjacent. The rear room contains a bed. The gatehouse is flanked by a pair of carriage gates

Scale

bar scale of 4 inches to 10 feet

Inscribed

Gateway for Ashburnham House (in the hand of William Adam, underwritten in pencil) / ASHBURNHAM HOUSE

Signed and dated

  • c1773
    c1773

Medium and dimensions

Pen, pencil and wash on laid paper (582 x 444)

Hand

Possibly
Office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Wheatley, 1891, Volume I, p. 517
Bolton, 1922, Volume II, Index p. 37
King, 2001, Volume I, pp. 12, 296, 298, pl. 417; Volume II, pp. 18-19
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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