[29] Design for a chimneypiece for the second drawing room, 1773, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Ashburnham House, 19 Dover Street, London, for John, 2nd Earl of Ashburnham, c1773-76 (47)
      - Designs for a chimneypiece for the second drawing room, 1773, possibly executed (2)

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Reference number

SM Adam volume 23/26

Purpose

[29] Design for a chimneypiece for the second drawing room, 1773, possibly executed

Aspect

Elevation of a chimneypiece with a lining bordered by a moulded band, and with Ionic, fluted columnar stiles. There is a lower frieze of fluting, and an upper frieze ornamented with paterae and calyx enclosed within scrollwork, and this alternates with paterae and anthemia. There is a central tablet containing a cameo depicting winged putti and a festoon of husks. Above the friezes there is a band of laurel leaf tips and a band of fluting

Scale

bar scale of 1 ¼ inches to 1 foot

Inscribed

Second Drawing Room. / at Ashburnham House (underwritten in pencil) / All Statuary, unless / Lord Ashburnham was to go / to the expence of inlaying / with ornaments in P[_ _ _ _ _] / gillt in Ormoulue - / Tablet over Large (pencil) / [_ _ _]if Any (pencil) / 26 and some dimensions given

Signed and dated

1773
1773

Medium and dimensions

Pen and pencil on laid paper (347 x 252)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Notes

This drawing has fold marks as if it has been posted.

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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