[42] Design for a chimneypiece for the square dressing room, 1773, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Ashburnham House, 19 Dover Street, London, for John, 2nd Earl of Ashburnham, c1773-76 (47)
      - Design for a chimneypiece for the square dressing room, 1773, possibly executed (1)

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Reference number

SM Adam volume 23/24

Purpose

[42] Design for a chimneypiece for the square dressing room, 1773, possibly executed

Aspect

Elevation of a chimneypiece with a lining bordered with a band of inverted laurel leaf tips. The pilaster stiles are ornamented with an acanthus scroll with a central band of beading. The frieze is ornamented with a continuous band of calyx wreaths, which enclose rosettes set within roundels of beading. The frieze is surmounted by a band of laurel leaf tips and a moulded band

Scale

bar scale of 1 ¼ inches to 1 foot

Inscribed

Square Dressing Room / at Ashburnham House / marble. / Architrave Marble / the other parts of Wood / Gilliam D’la[_ _ _] Sqr Room North hall- Marble & Wood- (pencil) and some dimensions given

Signed and dated

1773
1773.

Medium and dimensions

Pen and pencil on laid paper (346 x 252)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Notes

This drawing has fold marks as if it has been posted.

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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