[9] Design for a chimneypiece for the ground-floor drawing room, 1773, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Ashburnham House, 19 Dover Street, London, for John, 2nd Earl of Ashburnham, c1773-76 (47)
      - Designs for a chimneypiece for the ground floor drawing room, 1773, possibly executed (2)

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Reference number

SM Adam volume 23/20

Purpose

[9] Design for a chimneypiece for the ground-floor drawing room, 1773, possibly executed

Aspect

Elevation of a chimneypiece with Corinthian pilaster stiles ornamented with a continuous band of anthemia enclosed within scrolled hearts. The capitals contain roundels depicting greyhounds, and the frieze has a central roundel containing a mask set within a rosette. The roundel is flanked by tubular flowers supporting calyx enclosed within semi-circular-headed compartments. Above the frieze there is a band of oak leaves, a band of fluting, and a band of egg and dart moulding

Scale

bar scale of 1 ¼ inches to 1 foot

Inscribed

Drawing Room Parlor Story at Ashburnham House (underwritten in pencil) / 20

Signed and dated

August 1773
Adelphi August 18.t 1773

Medium and dimensions

Pen and pencil on laid paper (366 x 254)

Hand

Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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