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  • image SM Adam volume 23/18

Reference number

SM Adam volume 23/18

Purpose

[8] Design for a chimneypiece for the square parlour or waiting room, 1773, possibly executed

Aspect

Elevation of a chimneypiece with the lining bordered with a moulded band, and pilaster stiles ornamented with wreaths enclosing rosettes and drop calyx. The capitals contain urns, and the frieze is ornamented with armorial supporters in the form of greyhounds, enclosed within bands of calyx forming scrolled hearts. The greyhounds are flanked by horizontal spears which terminate in rosettes, and these are enclosed within further bands of calyx. Above the frieze there is a band of dentils, and the mantel is ornamented with a band of laurel leaf tips

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Square Parlor or Waiting Room next the Hall / at Ashburnham House / Facia Marble the other parts of Wood / Marble / Gilliam ([pencil) / Pra[_ _] – [_ _ _ _] (pencil) / Mr Ramsay(?) / faint pencil inscription and some dimensions given

Signed and dated

  • August 1773
    Adelphi August 18. 1773.

Medium and dimensions

Pen and pencil on laid paper (283 x 243)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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