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  • image SM Adam volume 12/125

Reference number

SM Adam volume 12/125

Purpose

[21] Record drawing for a ceiling for the ante room, 1773, unexecuted

Aspect

Plan of a square ceiling ornamented with a central rosette set within a circular band of beading, with arabesques suspending calyx and oil lamps beyond. All of this is set within a symmetrical cruciform, with festoons of husks suspending peltoid shields and semi-circular bands of foil beyond. The corners are ornamented with suspended cameos, which have aprons of drop calyx

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Cieling for the Anti room at Ashburnham House / not a correct Copy / 125.

Signed and dated

  • April 1773
    Adelphi / 10.t April 1773.

Medium and dimensions

Pen, pencil and wash on laid paper (511 x 426)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 36
King, 2001, Volume I, p. 298
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).