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  • image SM Adam volume 8/125

Reference number

SM Adam volume 8/125

Purpose

[35] Preliminary design for a ceiling for the third drawing room, c1773, possibly executed

Aspect

Plan of a rectangular, tripartite ceiling with a central compartment ornamented with a figurative oval enclosed within an oval band of foil, rosettes and calyx, and with a band of anthemia set within semi-circular-headed compartments beyond. All this is surrounded by further oval bands of rosettes, Vitruvian scroll, and a band of enclosed calyx. Beyond this there are rosettes, swags and figurative roundels. There are corner fans ornamented with part-paterae and rosettes enclosed within semi-circular-headed compartments. The central compartment is flanked by strip compartments ornamented with arabesques and rosettes, and each compartment is bordered by bands of rope moulding. The ceiling is bordered by a band of Vitruvian scroll enclosing anthemia

Scale

to a scale

Inscribed

Ceiling for the Room Markd A on the Plan (pencil) / Lord Ashburnham (pencil) / Center of Wind[_ _] (cropped, pencil) / Center of Wind[_ _] (cropped, pencil) / Lord Ashb[urnham] (cropped, pencil) / of Door (cropped, pencil) / [Chi]mney (cropped, pencil) / of Door (cropped, pencil) / Center of Windo[_] (cropped, pencil)

Signed and dated

  • c1773
    c1773

Medium and dimensions

Pencil on laid paper (414 x 350)

Hand

Probably
Robert Adam

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index, p. 36
King, 2001, Volume I, p. 298
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).