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  • image SM Adam volume 29/59

Reference number

SM Adam volume 29/59

Purpose

[6] Alternative design for an entrance lodge and gateway, c1782, unexecuted

Aspect

Above- Elevation of a gateway with a central, castellated, two-storey block surmounted by a pitched roof bearing a cross, and this is flanked by turrets containing slit windows and supporting conical roofs. The central block contains a carriage arch, with a segmental moulded lintel above. The piers contain cross-shaped windows, and there are slit windows set within the spandrels. Above the arch is a trio of small lancet windows, with semi-circular moulded lintels set above. Within the tympanum of the central block there is a lancet window set within a relieving arch. The central block is flanked by one-and-a-half-storey link blocks, with entrances at the ground-storey level surmounted by moulded lintels. In the upper register there are cross-shaped windows. The gateway terminates in castellated, one-and-a-half-storey, three-bay pavilions with pitched roofs surmounted by turrets with slit windows and conical roofs. At the ground-storey level there are lancet windows, with lintels set above. In the upper register and tympanums there are miniature semi-circular-headed windows Below- Plan of a gateway, with a central block containing a carriage arch, flanked by oval staircases. Beyond the central block there are link bays containing entrances, and these connect to three-by-one-bay pavilions containing rectangular rooms with fireplaces

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

A Second Gateway for Banner Castle- (in the hand of William Adam / 57 (pencil) and some dimensions given

Signed and dated

  • c1782
    c1782

Medium and dimensions

Pen, pencil and wash on laid paper (429 x 483)

Hand

Possibly
Office hand, possibly Robert Morison, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 3
King, 2001, Volume II, p. 243, pl. 242
For a full list of literature references see scheme notes.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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