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  • image SM Adam volume 41/81

Reference number

SM Adam volume 41/81

Purpose

[3] Design for the west front of a house, c1773, possibly executed

Aspect

Elevation of the west front of a two-storey, eleven-bay building, with a hipped roof and a part sunken basement. The building has a central entrance set within a stepped, pedimented Tuscan portico surmounted by acroteria. At the ground-storey level there are full-height windows, with half-height windows in the upper register, and a band of dentils ornamenting the roof line. The central building is flanked by pavilions. The five-bay pavilion to the north is two storeys in height and has a hipped roof and a part sunken basement. At the ground and first-storey levels there are full-height windows, with a string course set in between. The three-bay pavilion to the south is one-and-a-half storeys in height, with a hipped roof and a part sunken basement. At the ground-storey level there are full-height windows, with quarter-height windows in the upper register

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

West Front of Ray Hall the seat of Sir James Wright Baronet- (in the hand of William Adam, underwritten in pencil) Extends 195 Feet 2 In’s and some dimensions given

Signed and dated

  • c1773
    c1773

Medium and dimensions

Pen and pencil on laid paper (962 x 512)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 26
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).