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  • image SM Adam volume 34/99

Reference number

SM Adam volume 34/99

Purpose

[2] Design fo ground storey additions to a house, c1791, unexecuted

Aspect

Plan of the ground storey of an eleven-bay building with the central five-bays flanked by projecting three-bays. There is a central colonnaded entrance porch which links to a hall. The porch is flanked by a room for porters and servants, and the hall is surrounded by staircases, with the dog-legged principal staircase to the south. On the east and west sides of the building there are bedrooms and dressing rooms, with the bedroom to the north west containing a canted bay window and a niche. To the rear of the building ante rooms link to an eating room and drawing room. The eating room has a canted bay window and links to the breakfast room, and the drawing room has a pair of canted bays and one apsidal end. Beyond the eating room there is a passage which links to an irregularly shaped, projecting room on the eastern side of the building

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

Design for adding to the present House at Rudding hall in Yorkshire (underwritten in pencil) / Eating room / Breakfast room / Study / Drawing room / Passage / Bed Chambr / Anti room / Principal Stairs / Anti room / Stairs / Stairs / Bed Chamber / Hall / Bed Chamber / Dressing room / Water Closet / Porters room / Porch / Servts room / Water Closet / Dressing room and some dimensions given

Signed and dated

  • c1791
    Albemarle Street (cropped) c1791

Medium and dimensions

Pen, pencil and pink wash on laid paper (489 x 283)

Hand

Possibly
Office hand, possibly Robert Morison or John Robertson

Literature

Bolton, 1922, Volume II, Index p. 27
King, 2001, Volume II, p. 133
For a full list of literature references see scheme notes.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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