[2] Finished drawing for the first storey of a house, c1772, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hitchin Priory, Hertfordshire, for John Radcliffe, designs for alterations to a house for John Radcliffe, c1772, unexecuted (5)
    - Designs for alterations and additions to a house, c1772, unexecuted (5)

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Reference number

SM Adam volume 29/51

Purpose

[2] Finished drawing for the first storey of a house, c1772, unexecuted

Aspect

Plan of the first storey of a seven-bay building, with proposed alterations. The central three-bays of the north front are altered to form five projecting bays. The northern portion of the building contains a bedroom, dressing room, staircase, an eating room, and a central internal space overlooking a courtyard with a proposed roof for a courtyard passage. To the west there is a central room with a tripartite window, and this links to a three-by-two-bay drawing room. There are proposed alterations to the south east section of the building, with a dog-leg staircase surrounded by bedrooms and a dressing room, and with an ante room to the west

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

Plan of the one pair Stairs Story. (and in the hand of William Adam, underwritten in pencil) For John Radcliffe Esqr near Hitchen / Drawing Room / Eating Room / Passage / Anti Room / Servants Bed Room / Bed Room / Water Closet / Dressing Room / Roof over Passage (pencil) / Passage / Bed Room / Servants Bed Room / Bed Chamber / Bed Chamber / Dressing Room / Bed Chamber / Bed Chamber / Water Closet and some dimensions given

Signed and dated

c1772
c1772

Medium and dimensions

Pen, pencil, wash and pink wash on laid paper (508 x 434)

Hand

Possibly
Office hand, with part title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 18
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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