Scale
to a scale
Inscribed
as above, No 1, Plan A, Scantling of Timber / Girders 13 Inches by 12 Inches / Binding Joists 9 Inches by 4 Inches / Bridging Joists 5 Inches by 2½ Ins / Wall Plates 7½ Inches by 5 Inches / Cieling Joists 3 Inches by 2½ Ins / Note the dotted line shews the / appertures in basement , Wall Plate (7 times), Iron Tye, Iron tyye / to connect / wall plate, This Girder to be trussed (3 times), Binding Joists (3 times), Bridging Joists (3 times), No 1 Partition in Basement, No 2 Partition in basement, Partition on Principal Floor / No 4, Partition No 6 on Wall Plate, Partition No 7 on this wall, Turn Arch under / this stone Landing, Wall / Joists 9 inches by 9 inches / NB the Joists in the Hall must / be layed 3 or 4 inches lower / than the other Rooms to / allow for the Stone Paving
Signed and dated
- 18/02/1799
Copy / Feby 18th 1799
Medium and dimensions
Pen, red and yellow washes, pricked for transfer, on wove paper (521 x 634)
Hand
The office Day Book for 18-20 February 1799 has Seward, Mansfield and Sword (18 February), Mansfield and Seward (19 February), Mansfield and Sword (20 February). That is: Henry Hake Seward (1778-1848) pupil and assistant May 1794 - September 1808); Thomas Sword pupil January 1799 - 1804; George Mansfield, surveyor 1 May 1797 - December 1800
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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