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  • image SM Adam volume 14/67

Reference number

SM Adam volume 14/67

Purpose

[3] Design for a ceiling for the rear drawing room, 1779

Aspect

Plan of a rectangular ceiling with an apse, which is mirrored by a shallower apse. The central compartment is ornamented with a figurative oval, set within a band of enclosed calyx and a fan. Beyond this there is an oval band of enclosed anthemia, and festoons suspending cameos, peltoid shields and drop calyx. The apses are bordered by guilloche, and contain fans ornamented with calyx and bordered by bands of enclosed anthemia

Scale

bar scale of 4 3/4 inches to 10 feet

Inscribed

Design of a Cieling for the Back Drawing room for Stainforth Esq.r in Bedford Square- / 67 (pencil)

Signed and dated

  • August 1779
    Aug.st 1779

Medium and dimensions

Pen, pencil wash and coloured washes including pink, cerulean blue, violet and olive green on laid paper (443 x 305)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).