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  • image SM Adam volume 39/34

Reference number

SM Adam volume 39/34

Purpose

[24] Design for the entrance/west front of a building, c1767, unexecuted

Aspect

Elevation of a two-storey, seventeen-bay, balustraded building set behind a Corinthian colonnade and with a central Corinthian portico supporting an acroterion and surmounted by a stepped dome. There is a central entrance which is flanked by several niches containing statuary. Above this there is a band of fluting and three central figurative tablets flanked by figurative roundels. In the fourth and fourteenth bays there are full-height windows on the ground storey and three-quarter-height windows on the first storey. The building has a frieze of rosette roundels, and set within the tympanum there is the Bute crest of arms surmounted by a coronet and flanked by a horse and stag supporters. The building terminates in two-and-a-half-storey pavilions with pyramidal roofs and two-storey bow fronts. On the ground storey there are full-height windows, with a band of fluting and three-quarter-height windows above. In the upper register there are balustraded Diocletian windows

Scale

bar scale of 1 3/4 inches to 10 feet

Inscribed

A New Design for Luton Park one of the seats of the Earl of Bute (in the hand of William Adam, underwritten in pencil) / Entrance Front as carried out 1767-7 (modern curatorial hand, pencil)

Signed and dated

  • c1767
    c1767

Medium and dimensions

Pen and pencil on laid paper (966 x 521)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi, William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam

Verso

20 / 4

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume I, p. 119
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).