Scale
bar scale of 3/4 inch to 10 feet
Inscribed
Plan of the Bed Chamber Story / of Luton Park (in the hand of William Adam) / one of the Seats of the Earl of Bute (in the hand of William Adam, underwritten in pencil) / Bed Chamber A / Dressing Room A / Bed Chamber B / Dressing Room B / Bed Chamber C / Dressing Room C / Bed Chamber D / Dressing Room D / Bed Chamber E / Dress.g Room E / Bed Chamber 1 / Dress.g Room 1 / Bed Chamber 2 / Dressing Room 2 / Dressing Room 3 / Bed Chamber 3 / Dressing Room 3 / Dressing Room 4 / Anti Room / Bed Chamber 4 / Bed Chamber 5 / Dressing Room 5 / Dressing Room 6 / Bed Chamber 6 / Dressing Room 6 / Bed Chamber 7 / Dressing Room 7 / Bed Chamber 8 / Dressing Room 8 / Servants Room A / Servants Room B / Servants Room C / Water Closet / Servants Room D / Servants Room F / Bed Chamber F / Servants Room E / Servants Room / Water Closet / Servants Room / Servants Room / Servants Room / Powdering Room / Servants Room / Servants Room / Powdering Room / Water Closet / Water Closet / Servants Room / Servants Room / Servants Room / Serv.ts Room and some dimensions given
Signed and dated
- February 1767
Febry 7.t 1767
Medium and dimensions
Pen and pencil within a single ruled border on laid paper (555 x 499)
Hand
Possibly
Office hand, possibly Giuseppe Manocchi, William Hamilton or Joseph Bonomi, with part title inscription in the hand of William Adam
Verso
4 / number 8 (brown ink) / L Bute Luton Park new (?) shaded Elevation (?)
Watermark
D & C BLAUW
Literature
Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume II, pp. 85, 131
For a full list of literature references see scheme notes.
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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