[7] Design for the southwest front of a building, c1764, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Luton Park, designs for a house and interiors including an organ case for John Crichton Stuart, 3rd Earl of Bute, c1763-72 (56)
    - Designs for a building, c1764, unexecuted (8)

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Reference number

SM Adam volume 37/43

Purpose

[7] Design for the southwest front of a building, c1764, unexecuted

Aspect

Elevation of a two-and-a-half-storey, twenty-one bay crenellated building. There is a central five-bay block with a doorway flanked by full-height windows on the ground storey, and with full-height windows on the first storey and half-height windows in the upper register. The central block is flanked by three-bay canted towers, and one-and-a-half storey, two-bay link blocks. The building terminates in three-bay square towers, with tripartite windows on the ground and first storeys, and the towers are surmounted by single-bay turrets

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

South West front of Luton Castle in Bedfordshire / one of the seats of The Earl of Bute (in the hand of William Adam, underwritten in pencil)

Signed and dated

c1764
c1764

Medium and dimensions

Pen, pencil and wash on laid paper (536 x 374)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi or William Hamilton, with part title inscription in the hand of William Adam

Verso

4 / Lord Bute / Luton Castle Style / 4 Elevations 4 Plans / Lord Bute (pencil)

Literature

Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume I. p. 12; Volume II, pp. 85, 131, 163
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).