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  • image SM Adam volume 37/42

Reference number

SM Adam volume 37/42

Purpose

[10] Finished drawing for the southeast front of a building, c1764, unexecuted

Aspect

Elevation of a two-storey, fifteen-bay crenellated building, with a nine-bay two-storey central block, which has full-height windows on the ground and first storeys. The building terminates in projecting three-bay square towers, with tripartite windows on the ground and first storeys, and these are surmounted by single-bay turrets

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

South East Front of Luton Castle in Bedfordshire- / one of the Seats of the Earl of Bute (in the hand of William Adam, underwritten in pencil) / Extends 160 Feet- / Drawing room 17ft in the Clear, requires / 5 steps over it & 3ft in to the Cill of the Window / The Library & Bed Chamber in the 2 Towers to the N. East Front to be 16ft 6in in the Clear, requires / 4 steps above & 3 1/2ft to the Cill of the Window / (and in pencil) Drawing Room 17ft in the Clear / requires 5 steps over it by 2ft 6 in to / the Cill of the Window / The Library & Bed Room in the / 2 Towers to [_ _] N. E. Front / to be 16.6 in the clear, requires / 4 steps above & 3ft to the (cill) (?) / of the (window) (?) and some dimensions given

Signed and dated

  • c1764
    c1764

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (532 x 378)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi or William Hamilton, with part title inscription in the hand of William Adam

Verso

3 / Luton Park Gothic (pencil)

Watermark

LVG surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume I, p. 12; Volume II, pp. 85, 131, 163
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).