[50] Finished drawing for a tureen, c1772, possibly executed

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Robert and James Adam office drawings
- Country houses
  - Luton Park, designs for a house and interiors including an organ case for John Crichton Stuart, 3rd Earl of Bute, c1763-72 (56)
    - Finished drawings for tureens, c1772, possibly executed (3)

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Reference number

SM Adam volume 25/95

Purpose

[50] Finished drawing for a tureen, c1772, possibly executed

Aspect

Elevation of a tureen with a sockle base ornamented with vine leaves and with bands of guilloche and of acanthus leaves above. The tureen is fluted, and ornamented with a central coat of arms enclosed within a wreath, and this is flanked by cameo portraits of King George III and Queen Charlotte set within wreaths, and all these are linked with festoons. The tureen has a frieze of enclosed anthemia alternating with calyx, and with a band of laurel leaf tips above. The tureen handles are formed from acanthus leaves and female half figures

Scale

to a scale

Inscribed

Turine for The Earl of Bute / 17. / GEORGIUS. TERTIUS. REX / CARLOTTA REGINA

Signed and dated

c1772
c1772

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (512 x 350)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi, William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index, p. 22
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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