[38] Design for a mirror frame for the drawing room, 1772, possibly executed

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Robert and James Adam office drawings
- Country houses
  - Luton Park, designs for a house and interiors including an organ case for John Crichton Stuart, 3rd Earl of Bute, c1763-72 (56)
    - Unfinished designs and designs for mirror frames for the drawing room, 1772, possibly executed (4)

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Reference number

SM Adam volume 20/115

Purpose

[38] Design for a mirror frame for the drawing room, 1772, possibly executed

Aspect

Elevation of a tripartite mirror frame as SM Adam volume 20/114, with minor alterations. The surmounting winged griffins are smaller in scale and flanked by pedestals. The candelabra and the reclining figures are omitted, and replaced with an urn and further winged griffins. The panel of rosettes and arabesques are extended to a full band across the base of the mirror frame

Scale

bar scale of 2 inches to 1 foot

Inscribed

Glass frame for the Drawing room at Luton (underwritten in pencil)/ for the Gallery to a scale (pencil) / 115. / faint pencil inscription bottom left

Signed and dated

September 1772
Adelphi / 29.t Sep.r 1772.

Medium and dimensions

Pen and pencil within a single ruled border on laid paper (437 x 565)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume I p. 69; Volume II, Index, p. 21
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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