[28] Finished drawing for a ceiling for the saloon, 1769, possibly executed

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Robert and James Adam office drawings
- Country houses
  - Luton Park, designs for a house and interiors including an organ case for John Crichton Stuart, 3rd Earl of Bute, c1763-72 (56)
    - Alternative design and finished drawing for a ceiling for the saloon, 1769 (2)

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Reference number

SM Adam volume 12/18

Purpose

[28] Finished drawing for a ceiling for the saloon, 1769, possibly executed

Aspect

Plan of a tripartite rectangular ceiling, with an apse on one long side. The central compartment is ornamented with a tripartite design, with a central rosette enclosed within a band of rope moulding and surrounded by calyx bearing anthemia. This is set within a lozenge, with festoons of husks suspending peltoid shields beyond, and all this is within a band of enclosed anthemia. The central design is flanked by panels ornamented with rosettes and arabesques. The apse is ornamented with a band of guilloche surmounted by a half-patera, enclosed within a fan ornamented with calyx and rosettes, and with a border of fluting. All this is enclosed within a band of guilloche, and a band of calyx bearing anthemia. The central compartment is flanked by rectangular compartments, with a central panel ornamented with rosettes enclosed within lozenges. This is bordered by a band of arabesques supporting anthemia and calyx

Scale

bar scale of 2 2/4 inches to 10 feet

Inscribed

Cieling of the Saloon at Luton / 18.

Signed and dated

1769
1769

Medium and dimensions

Pen, pencil and wash on laid paper (637 x 410)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi, William Hamilton or Joseph Bonomi

Watermark

LVG surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 21
King, 2001, Volume I, pp. 18, 122, 122 n.20
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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