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  • image SM Adam volume 36/5

Reference number

SM Adam volume 36/5

Purpose

[13] Finished drawing for the south building, 1784, unexecuted

Aspect

Axial section of a two-and-a-half storey building with a pitched roof. The rooms to the front of the building contain double doorways and the rooms to the rear contain single doorways. The principal front of the building is formed with a pedimented Corinthian portico, with rustication at the ground-storey level, a fluted frieze with rosette capitals, and the pediment surmounted by acroteria supporting statuary. To the rear there is a bow front with a Venetian window at the ground-storey level and a figurative tablet above. In the upper register there is a quarter-height window and the bow is surmounted by a dome containing an oculus. The drum of the dome contains oculi windows, with a frieze of rosettes and festoons above

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Section across the Building upon the line A.B. shewing the hights of the different storys. / Whites Chocolate House (incorrectly titled in the hand of William Adam, crossed through in pencil) / (and in modern curatorial hand, pencil) Provost's House at / Kings College Cambridge / No. 7 (pencil) and some dimensions given

Signed and dated

  • 1784
    Rob.t Adam Architect 1784.

Medium and dimensions

Pen, pencil, wash and coloured washes including pink and Naples yellow within a double ruled border on laid paper (587 x 480)

Hand

Probably
Robert Adam, with incorrect part title inscription in the hand of William Adam

Verso

No. 5 / No. 5

Watermark

PVL

Literature

Bolton, 1922, Volume II, pp. 173-79; Index, p. 6
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).