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  • image SM Adam volume 31/7

Reference number

SM Adam volume 31/7

Purpose

[14] Finished drawing for the south building, 1784, unexecuted

Aspect

Axial section of a three-storey building with a sunken basement level. There is a raised, pedimented Corinthian portico across the principal front, with rustication at the ground-storey level, a frieze of fluting and capitals containing rosettes. The pediment is surmounted by acroteria supporting statuary and there is a balustraded roof set behind. Flanking the portico there is a first-storey balustraded Corinthian colonnade with niches containing statuary. Access to the colonnade is via an aedicula entrance, with a guilloche string course and a figurative roundel above. Beyond this there is a dome containing an oculus. Within, at the basement storey level, there are barrel-vaulted rooms. At the ground-storey level there is a double-height, circular room with a domed ceiling. The room has a central doorway, Venetian windows, and a colonnade of raised Tuscan columns with a frieze of rosette roundels. The columnar screen is set within relieving arches and is surmounted by busts. Above there are panels ornamented with anthemia and calyx, with aprons of beaded festoons and ram skulls. The room has a frieze of rosettes and a frieze of scroll work enclosing anthemia. The dome ceiling is ornamented with a band of Vitruvian scroll and a central patera set within a fan. At the second-storey level there is a further circular room with a domed ceiling containing an oculus. The room contains a chimneypiece ornamented with drop calyx and set within a relieving arch. The chimneypiece is flanked by a doorway and an oculus window also set within relieving arches articulated by Doric pilasters

Scale

bar scale of 1 3/8 inches to 10 feet

Inscribed

Section from North to South through the Center part of the Building. / Kings College Cambridge (in the hand of William Adam, underwritten in pencil) / No.6 (pencil) and some dimensions given

Signed and dated

  • 1784
    Robt Adam Arch.t 1784.

Medium and dimensions

Pen, pencil, wash and colour washes including pink and Naples yelloe within a double ruled border on laid paper (587 x 479)

Hand

Probably
Robert Adam, with part title inscription in the hand of William Adam

Verso

7 / 7

Literature

Bolton, 1922, Volume II, pp. 173-79; Index, p. 6
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).